TELEVISION
Part: [1] * 2 * 3
Angry Chicken
agency Wieden + Kennedy, Portland
client Nike
creative directors Carlos Bayala, Susan Hoffman
art director Danielle Flagg
agency producer Jennifer Smieja
writer Mike Byrne
production company Partizan
producer Philippa Smith
directors Ulf and Patrick, Traktor
editor Rick Russell, Final Cut



Super: LE POULET EN COLERE subt. "Angry Chicken"
Open on MS of apartment buildings. He jumps off a balcony into a patch of grass & rolls. A chicken flies out of balcony. Chicken lands on grass as man begins to run. Man runs up over wall over the motorcycle.
VO: A young man is being chased by...
Chicken runs around wheel of motorcycle. He runs. Chicken's eye view reverse shot.
VO: ...a chicken.
Chicken runs past bike
VO: The chicken is angry.
He leaps and flies across an overpass, lands on a platform. The chicken
runs. He slows into a walk on sidewalk. Trying to blend in, hands in pockets, head down.
VO: When a chicken in this neighborhood gets angry it will chase you down
The chicken is on the sidewalk The chase picks up, he jumps a hydrant. He tics off a wall onto another wall. Runs across the tops of the walls, leaps. He lands short and hoists himself up on the wall.
VO: There goes the young man.
He runs onto a plaza. Aerial shot of him in plaza.
VO: Look, there he goes.
He looks around. POV of him looking around. Escalator, chicken rides up.
VO: Okay, there is the chicken.
He prepares to run again, jumps over top of escalator, rolls. He checks for the chicken in pursuit. He backs down stairs, the chicken is waiting at bottom. He sees chicken and runs.
VO: No, he cannot fool the chicken.
He runs and jumps into a balcony. Runs through a room with kids on couch, He jumps over a driveway as car comes out. He hoists himself over a wall. The chicken is thrown around the corner. CU of his face. CU of his feet on wall; feet back up wall. (up side of screen)
VO: But wait.
Chicken is on ground below, walking. He walks up the wall backwards & eludes the chicken.
VO: Alright he has fooled the chicken.
Antifreeze
agency TBWA\Chiat\Day, San Francisco
client Fox Sports
executive creative director Chuck McBride
associate creative director Eric King
art directors Ben Nott, Eric King
writers Susan Treacy, Eric King
agency producers Richard O'Neil, Dominique Manning
production company Morton Jankel Zander
producer Betsy Oliver
director Rocky Morton
editor Tom Muldoon, Nomad
special effects Sea Level
sound design Nomad



Card:
Islanders: game 5.
Cut to a guy standing in front of the stove holding a lobster over a pot of boiling water. He lets the lobster go, but it hangs there clamped to his arm. He doesn't react. (In the background there's a TV with hockey on.)
Card:
Islanders: game 18.
Cut to a woman who goes to close a door in the house, but it doesn't shut. She continually keeps slamming the door, but it won't shut. We see that someone's hand is in the door jam. She pulls the door open to reveal the same guy in the scene before, who calmly removes his hand and apologizes.
Card:
Islanders: game 59.
Cut to the same guy stopped in the breakdown lane of the highway with the hood of his car open and his anti freeze cap aggressively hissing. He opens the cap and sizzling, steaming hot, lime-green antifreeze sprays all over him. He just stands in the hot spray without reacting. As the spray slows, he replaces the cap.
Cut to over the shoulder of the same guy, watching hockey on TV.
Super:
The more Islanders games you watch the tougher you get.
Cut to see the guy watching.
Cut to the New York Islanders logo.
Super:
Islanders vs. Panthers, Friday 7pm.
Super:
NHL on FOX SPORTS NET.
Baby
agency la comunidad, Miami Beach
client MTV
creative directors JosŽ Moll‡, Joaquên Moll‡
art directors Luis Ghidotti, Ricky Vior, Mariano Cassisi
art direction Mariana Brick, Micaela Saiegh
writers Mati‡s Ballada, Leo Prat, Joaquin Moll‡, JosŽ Moll‡
direction assistant Alvaro Hern‡ndez
agency producer Facundo PŽrez
production company Wasabi Films
executive producer Hern‡n Zayas
director Diego Kaplan
assistant directorAlvavo Hern‡ndez
editor Videocolor
music La casa Post Sound



Baby
Open with a wide shot of a mother with baby held to her chest.
Cut to closer shot of baby breast feeding.
Tighter shot of baby with tiny hand on mother's breast where it is feeding.
Shot of baby smiling at mother as it feeds cuts to...
Slightly wider shot of baby feeding, his left hand rests between her breasts cuts to...
Shot of mother's face watching her baby feed cuts to
Baby smiles back up at mother.
Cut to baby stretching his left hand, which touches the mother's other breast cuts to...
Close up of mother looking down at her baby again.
Shot of baby's left hand now slipping inside mother's bra, touching the other breast.
Cut to shot of the mother looking down at the baby's hand slipping
inside her bra.
Close up of the baby's left hand now caressing the other breast.
Cut to close up of baby's face looking up at his mother especially happy, smiling at her.
Before
agency Wieden + Kennedy, Portland
client Nike
creative directors Hal Curtis, Carlos Bayala
art directors Storm Tharp, Hal Curtis
writerJonathan Cude
agency producer Henry Lu
production company Park Pictures
producer Justin Pollack
director Lance Accord
editor Adam Pertofsky, Rock Paper Scissors
music Jeff Elmassian, Endless Noise
recording studio Paramount Scoring Stage M
special effects A-52



Before
Open on boy's face
SFX: Music under throughout
Cut to Alfonso Sorianl
Cut to Walter Davis spitting
Cut to female swimmer spitting
Cut to Randy Johnson on mound
Cut to Felix Sanchez at starting block
Cut to track spike shoe shot
Cut to male swimmer stretching
Cut to Nicolai Kahvibulin stretching in front of net
Cut to Jason Giambi on deck
Cut to Lleyton Hewitt playing with the strings on his racket
Cut to Sumo wrester's hand throwing rice
Cut to Jen Holdren's hand
Cut to gail devers jumping behind hurdles
Cut to female boxer in corner
Cut to Vince Carter praying
Cut to Walter Davis practicing approach
Cut to Alfonso Sorianl batting glove
Cut to Adam Nelson hand spinning shot put
Cut to male handball player stretching jaw
Cut to Marion Jones stretching jaw
Cut to Lisa Leslie putting in mouthpiece
Cut to cross country race starting line
Cut to youth soccer penalty kick
Cut to Marshall Faulk
Cut to Adam Nelson
Cut to Shox D product shot
Cut to male arm wrestler
Cut to street basketball players
Cut to Cary Kolat preparing to start wrestling match
Cut to Hicham el-Gourreuj
Cut to Jen Holdren spinning ball
Cut to crosscountry start line
Cut to Jason Kidd kissing his hand prior to free throw
Cut to Nicolai Kahvibulin goalie mask
Cut to Lance Armstrong at the starting gate
Cut to male high diver
Cut to kids neighborhood soccer game
Cut to kid balancing on dock
Cut to female archer
Cut to Alfonso Sorianl awaiting pitch
Cut to male street performer/gymnast
Cut to Randy Johnson eyes
Cut to female diver eyes between her legs
Cut to stickball bat hands
Cut to Stacy Dragola raising pole
Cut to Jason Giambi eyes
Cut to Marion Jones eyes
Cut to Dragstrip starting lights
Cut to Walter Davis beginning approach
Cut to backstroke swimmers preparing to start
Cut to Just Do It
Cut to swoosh
Boxing, Coronation, Moon Landing
agency The Concept Farm, New York
client The History Channel
creative directors John Gellos, Gregg Wasiak
writerGregg Wasiak
agency producer Will Morrison
production company The Concept Farm
producer Rick Debbie
director John Gellos, Gregg Wasiak
editors Craig Lamson, Creative Group
music Pete Serenita, DJM
Boxing



Open on the historic bout between Joe Louis and Max Schmeling in 1936.
As the two fighters parry and thrust, a photographer angles himself on the sidelines, awaiting the perfect shot.
Cut to c/u footage of the two fighters as the announcer runs commentary.
Cut to wide shot of the ring, then back to our hero, who is having some trouble with his camera.
The flash goes off, blinding him momentarily. Unfortunately it is just long enough for him to miss Schmeling deliver the final blow. Louis goes down and our guy realizes just what he missed.
Cut back to the ref calling the match and Schmeling celebrating the KO.
Title fades in: "In case you missed it the first time"
Logo: The History Channel
Coronation



Title page: Coronation of the Queen Elizabeth 1953
Fade up on the coronation ceremony.
As the crown is lifted the congregation watches in solemn awe.
VO: The climax of the ceremony has arrived, when the archbishop gently places this splendid emblem on the Queen's head.
Just as the crown is raised, we cut to two members of the royal guard. One drops his hat and as he reaches down to retrieve it, his scepter nails a fellow guard in the "royal jewels" causing him to double over in pain and miss the coronation. The guard, clearly disappointed, maintains his composure and nods in agreement to his comrade's excitement.
Title fades in: "In case you missed it the first time"
Logo: The History Channel
Moon Landing



Title page: Man Walks on Moon
NASA Mission Control: Live feed of the astronauts arriving on the moon.
We hear ground control communicating and see overhead shots of the control room.
Cut to our hero drinking a cup of coffee.
Just as man is about to take his very first step on to the moon, our guy spills coffee all over his legs and is distracted. He looks up just in time to miss the entire event. Everyone celebrates as our hero tries not to reveal his embarrassment.
Title fades in: "In case you missed it the first time"
Logo: The History Channel
Part: [1] * 2 * 3